the inƒorming
perƒorming company
is
Edmund Pegge and Richard
Potter.
Edmund,
is a graduate of the National Institute of Dramatic Art, has been a
professional actor for many years in Australia, Britain and
America.
Richard is
a graduate of Flinders University and the University of Adelaide,
with a professional career in teaching, broadcasting, journalism,
acting and writing, in Australia and Europe.
the inƒorming
perƒorming company
was
established in 1998 in order to tour schools with a variety of
poetry performances and conducted creative writing workshops with
students at all levels.
They used
their skills and expertise in writing and performance of literature
to facilitate the development of creative writing through poetry. A
key element of their methodology was to read back what the students
had written. It astonished their ears to hear their words lifted off
the page with such an aural effect.
Here is a remarkable
testimonial of their work by the infamous polymath Bob Ellis.
“There
must have been a moment when a cave-dweller first understood that a
mark chipped on stone could signify a meaning, and writing was born.
Or when he raised his voice in a particular way, and song was born.
For some years
now Ed Pegge and Richard Potter have been seeking, and igniting a
similar moment in the lives of school children. It is the moment
when the mightiness of the spoken word is made known to them, and
the joy inherent in exploring it enraptures their young minds.
After that
moment, they learn more easily to read, and they write, and read
aloud, and recite, and act and sing with pleasure. Unlocking that
moment has raised them out of cave man condition into the beginnings
of civilisation and humanist enlightenment.
Pegge and
Potter believe that children’s response to poetry goes back to the
pre-verbal years of babies, whose experimental burblings are a
search, through rhythm and sound, for meaning. Their school room
engagements, using Banjo Paterson, Dylan Thomas, Yevtushenko, Mary
Gilmour, Kenneth Slessor and, wonderfully, poems composed by
children themselves, have accelerated literacy in even the mentally
challenged, and love of reading everywhere. Spoken English becomes a
new playground, its cadenced rhymes new stairways, new Everests to
conquer. And the wonder on small faces of hearing their own words
read, and sung, by formidable theatrical performers, and there after
performing themselves, is a sea change into new being worth
witnessing.”
Bob
Ellis
They have
worked together and individually in over 180 schools over a period
of 12 years mostly in South Australia. They were invited to perform
and speak at the inaugural Hong
Kong International Literary Festival in
2001.
Edmund
has also toured the UK conducting workshops in Libraries based on
his book, How
to Enjoy Reading Aloud to Young Children
which sold
over 30,000 copies.
Richard
and Edmund have twice been short listed for the South Australian Arts
and Education Ministers' Arts Educator of the Year Award.
They have appeared a number of times in the Adelaide
Fringe Festival.
and have twice (2002, 2003) been the key note presenters at the Penola
Writers Festival.
For a further
information please follow this link to the
Informing Performing web site and/or Richard Potter's.
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